Donegan explores his evolving relationship with the native bush and waterways of Yorta Yorta country. This work also represents Donegan’s personal evolution as he comes to terms with the notions of solitude and patience which are required to sit calmly and quietly in the landscape; drifting and melting and blending into the natural surrounds. Donegan has blended multiple images to create each unique piece. The artist recognises that this work has been made on unceded, stolen Yorta Yorta Country, and endeavours to honour the victims of settlement by focussing on the pre-colonial landscape. Always was, always will be.