My practice investigates line as both an action and a way of thinking. Through repetitive drawing and fluid painting, I explore how sustained mark-making can become an embodied process of attention, perception and inquiry. Rather than representing a predetermined image, each work develops through an intuitive dialogue between movement, material and the body, allowing the composition to emerge over time. Line is central to my practice because it records the physical act of making while remaining open to uncertainty and change. Repetition functions as a contemplative process that slows perception and creates space for observation, where gesture becomes a trace of thought, sensation and lived experience. Working with acrylic, pigment pen and mixed media, I respond to the behaviour of materials rather than attempting to control them, embracing chance as an active collaborator in the work. Ultimately, I see each artwork as an ongoing inquiry rather than a fixed conclusion. Through the accumulation of line, movement and material responsiveness, my practice explores the ways perception is shaped through embodied experience and how abstraction can hold complexity without resolving it.